building assemblies

Arch 461 - University of Idaho

essential detail

Students are asked to analyze a precedent, and develop a series of drawings about a primary detail in the project, which is reflective of overarching project ideals.

This detail is then translated to new purposes as a vessel of light, constructed at full scale by the student. The project is designed to assist them in internalizing not only the technical specifics of the details in a building, but their ability to shape performance and experience. The act of translation challenges them to consider how the lessons learned might be transferable to other projects without resorting to mere facsimile

modular assemblies

During the height of the Covid-19 pandemic, the course was held virtually, with significant logistical challenges for students to attain materials. I reconfigured the design-build exercise as a more in-depth, challenging iteration of the light and structure project in Materials and Methods of Construction. Students were tasked with building a 4’ tall by 4’ wide by 6” max depth self supporting modular wall, using only paper. No adhesives, or non-paper fasteners were allowed.

This project asks students to methodically test material tolerances for support, formal capabilities, etc in order to meet the project requirements. They considered strategies such as origami and kirigami, pulping and casting paper modules, moulding, nesting, weaving, and using paper as both internal mass and skin. They examine planar structural systems, as well as multi component layered assemblies.

waste/product

Construction waste amounts to 30% of landfill volume in the United States, with little sign of improvement over the past 20 years. Increased focus of the detrimental effects of the building industry have improved energy consumption. However, when combined with a need to replace Post WWII building stock and outdated equipment, little progress has made on this metric. In this project you will investigate waste in construction from a material and methodological standpoint. You will look to waste/ construction as primary catalysts for action as opposed to an afterthought to be dealt without of necessity.

Students are tasked with the reintroduction of a waste product or material into the use stream either as a bespoke design object that might serve as a commentary/ challenge to the notion of uselessness, or as a prototype for wider application.

The project should take care not to be wasteful itself, either in the introduction of new waste, exorbitant new material use, cost, or introduction of toxic materials. Designs which fail in this regard will not be considered acceptable. On the other hand, projects which demonstrably apply low/ zero-waste methodologies and use innovative or emerging processes that are energy and resource efficient will be regarded highly.

The project seeks to transcend the status of the source material as waste in your design. This means a typical person would no longer see it as merely reconfigured trash/ or else assembled from trash.

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Materials and Methods

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Transfigurations